The BlackBerry phone owed much of its popularity to its inventive features, such as a satisfying clicky keyboard and an encrypted messenger app, but Johnson’s film clarifies that it still needed a push from a bullheaded personality to get over the line. Howerton, whom I know best for his work on the long-running sitcom It’s Always Sunny in Philadelphia, plays Jim with crass gusto, unleashing torrents of cold-blooded capitalistic fury at every meek techie in his path. Although their wildly clashing personalities somehow cohere, the easygoing Douglas sees trouble ahead as Jim takes more and more control of RIM’s daily operations, transforming it from a charming tech shop in a strip mall into a corporate powerhouse on a sprawling campus.īaruchel’s performance as Mike is naturalistic and awkward, his half-whispered interjections constantly trailing off before he’s even done explaining some complex new algorithm. In the film, his cerebral vision is balanced out by Jim, who has the carnivorous business instinct to elbow his partners to the front of the line. Lazaridis was among the first people in the industry to realize the implications of wireless data networks, which allow users to communicate via the internet without incurring standard phone charges. The story of BlackBerry is one of ingenuity mixed with perfect timing. But when he and the more energetic Douglas finally get in front of a venture capitalist named Jim Balsillie (Glenn Howerton), they spew enough buzzwords about the future of handheld computing to attract his attention. Mike, who sports a prematurely gray swoosh of hair and big chunky glasses, is an unimpressive pitchman for his own product. Johnson also plays RIM’s co-founder Douglas Fregin, an intermittently lovable goof who runs his company like a clubhouse for nerds, screening movies for employees while his business partner, Mike Lazaridis (played by Jay Baruchel), tinkers in the background. A similarly quirky sensibility is reflected in his portrayal of Research in Motion, the Waterloo, Ontario, tech upstart that created the BlackBerry smartphone in the late ’90s and briefly crested to the top of the market before being swept under by the arrival of the iPhone and Android. It’s fittingly told by the Canadian filmmaker Matt Johnson, one of the country’s finest indie bards, whose oeuvre includes the micro-budget thriller The Dirties and the conspiracy thriller Operation Avalanche. BlackBerry instead tells the tale of a rise and fall: a technological revolution that ended up as a historical blip.Ī small business ballooning into enormous success, being surprised by its own good fortune, and then struggling to outsmart the sharks around it is a very Canadian narrative: that of a well-liked underdog that nevertheless gets steamrolled. These films are usually about famed pioneers such as Facebook and Apple.
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